![]() They're good headphones, but they're not flat and the low end is full of extra punch. I still want to test the Fostex T40rp mk3 and the Samson Z55 but I can't find anywhere to do so. High end was lacking detail ever so slightly and the stereo image isn't quite as good, but overall very tight sound, and very flat, and only 100 quid. Shure srh840: really surprisingly good, almost as good as the focals but not quite. Low end was cluttered and forward, a few notable spikes in the mid and highs. Not worth the price.īeyerdynamic dt770 pro: really don't understand the hype about these. Relatively flat, though lacking in detail, slightly harsh high end. No idea why they cost 120 quid.ĪTH-M70x: supposedly the big brother of the m50s and designed for studio monitoring. Highs sound distorted and mids are scooped. Sony MDR7509: really unimpressed with these. Only issue is the isolation isn't great and they are massive. They are the only closed headphones I've ever used that are better for production than the focals. In looking for a replacement at the moment. They are incredible in terms of sound quality, but they suck balls in terms of build quality. ![]() The best headphones I've found for train production are the focal spirit pros. I'd recommend them for listening to music but after about a year of using them to produce on my commute, I realised how ill suited for the job they were. ![]() Shits either hard left, hard right, or dead centre. Also they have an absolutely terrible stereo image. Click to expand.I used to own a pair of m50s. i assume you need to have a MultiChannel Buss to place this plugin on. HTHhey thx very much !!! i will load up the demo in Logic. I've been meaning to ping Waves and ask, but have been too busy. The head tracker software keeps popping up however, and it seems that there's a way to turn it off, but I haven't had immediate success. The new binaural stage for NX seems really nice, and the other good thing is that it actually performs at 96Khz session rate, where most don't even work, or like the PA DearVR, run at 96Khz, but only offer the response of 44.1. That said, I do sometimes use the crosstalk feature in Goodhertz Can Opener and the EQ profiles in Tonebooster's Morphit (mostly to tame the midrange in a pair of Etymotics), but these have been off my mix buss for a while now. There are so many nice flat response headphones, I don't think more is necessary. Like some folks here, I don't see too much value in enhancement technologies for headphones. i think you can but would like some real world experience !!You can run the software by itself. Still would ove to know if you can run the Software Alone. It made the process less tiring for the ears. With too much low-end spacialisation also (at least that's My point of view).īut NX is good when you have to write and compose on headphones. And I ended with a mix with a lot of low-end content that ruins a bit the dynamic of My mix. I've tried (it was a test don't blame me) to mix with it from Start to finish. But I guess it could also be that it's not a good match for my headphones (Philips Fidelio X2)?Well it doesn't fit to My headphones too. I'm a bit disappointed that I bought this plugin, but at least I bought it when it was 50% off so it's not that bad. I'm using it without that webcam tracking thing. The result doesn't sound good in my headphones at least. It just doesn't sound like monitors in a room to me (I've measured my head and put in those values in the head modeling section), and so far my mixes doesn't turn out so well using NX (and no, I'm not blaming the plugin for that). I have the same experience with Waves NX.
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